Miscellaneous Definitions — accessories, trims, tools and general fashion terms from Apparel Search
The neckline is the top edge of a garment that surrounds the neck. The neckline is primarily a style line, but it can also be a boundary for shaping — for example cowls, darts or pleats — and it governs how a garment frames the face, how it goes over the head, and how formal or informal the whole garment reads at a glance. Because it sits at the border between clothing and wearer, small changes in neckline shape produce large changes in character.
The neckline is primarily a style line, but it can also be a boundary for shaping, e.g., cowls, darts or pleats, similar to the waistline.
Necklines can be grouped into categories according to their shape and where they cut across the body:
Learn more about the many different types of necklines in our fashion industry terminology section.
The shape of a necklines can be modified in many ways, e.g., by adding a collar or scarf, overlaying it with a gauzy material or decorating the edges with scallops, picots or ruffles. The neckline can be a sharp edge of fabric or a more gentle cowl, and can also be accentuated by pattern(s) in the fabric itself.
Ruffs were popular in the Elizabethan era.
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The neckline can frame the shoulders, neck and face, and change their apparent width, height and angularity. It is generally advised that the neckline shape be chosen to balance the wearer's natural features. Thus, a face with round curves is well-framed by an angular (linear) neckline and collar, whereas an angular face is softened with curves. Similarly, a short neck and face will appear lengthened by necklines with strong vertical (or nearly vertical) lines, such as a plunging V neckline (or a long knotted scarf or necklace); conversely, high necklines such as the jewel or turtleneck types balance long faces. Broad shoulders can seem more narrow with style lines that converge inwards (e.g., the halter neckline), whereas pear-shaped figures can be balanced by diverging or horizontal lines, e.g., an off-the-shoulder or boat neckline.
The designer should also consider the amount of décolletage the wearer would like and whether the visibility of undergarments (such as bra straps) is relevant. These factors may influence the depth and width of the neckline, respectively.
Tailor| The above article is licensed under the GNU Free Documentation License. From Wikipedia, the free encyclopedia (https://en.wikipedia.org/wiki/neckline). 10/6/06 Above article modified by Apparel Search |
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The Edge Closest to the FaceOf all a garment's edges, the neckline works in the most sensitive territory. It borders the face, and the eye of anyone looking at the wearer reads the neckline and the face together, as one composition. A high, close neckline crops the composition tightly and reads as covered, formal or warm; a deep or wide neckline opens it, lengthening the visible line of the neck and shifting the garment toward evening, summer or sport. Designers exploit this leverage constantly: the same dress body with a jewel neckline, a V-neckline and a square neckline becomes three different garments in character, while the skirt below stays identical. The neckline is therefore described as primarily a style line — its first job is expression, and its named shapes are a core vocabulary of fashion design. The named shapes repay learning because they recur across every category of dress. The jewel neckline is round and close, sitting at the neck's base. The scoop drops the round line lower and wider. The V-neckline angles to a point, echoing the lapels of the jackets it often sits under. The square neckline cuts its opening in straight lines that suit structured and historical styles. The boat neckline runs wide from shoulder to shoulder in a shallow curve. The sweetheart neckline curves like the top of a heart over the bust. Halter, off-shoulder, one-shoulder, keyhole, cowl and surplice forms extend the family, and collars — turtleneck, mock neck, crew and shirt collars — are the neckline's raised and structured branch. Style Line and Shaping BoundaryThe definition's second clause is the technical one: a neckline can also be a boundary for shaping. A flat piece of cloth cannot pass over the shoulders and settle around the neck's curve without help, and the neckline edge is where that help is organized. Darts can take up fullness at the neckline; pleats can release it; a cowl turns the neckline into draped folds that create their own shaping. In knitted garments the neckline is shaped by binding off and decreasing stitches in a calculated curve — the reason a hand-knitted neckband is a small feat of arithmetic — and in woven garments the edge must be finished against stretching, with facings, binding, ribbing or a collar, because a neckline that grows with wear ruins the garment's fit at its most visible point. Practicality closes the design loop: unless a garment opens with buttons, a zipper or a placket, its neckline must stretch or measure wide enough to pass over the head, and the wearer's comfort at the throat — neither choking nor gaping — is judged within the first seconds of trying a garment on. Neckline, waistline and hemline together form the three style lines by which a garment's design is summarized, and the neckline is the one that frames the person rather than the cloth. Common QuestionsWhat is a neckline?The neckline is the top edge of a garment that surrounds the neck. It is primarily a style line, but it can also be a boundary for shaping, such as cowls, darts or pleats. What are common neckline shapes?Common shapes include the round jewel neckline that sits at the base of the neck, the deeper scoop, the V-neckline, the square neckline, the wide boat neckline, the curved sweetheart neckline, and high forms such as turtleneck and mock neck. Why does neckline shape matter in garment design?The neckline frames the face and sets the garment's formality and proportions. It also has a practical role: the opening must be large enough, or open with fastenings, for the garment to pass over the head. More to Explore
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